Lanston Type's rich
history dates back to 1887 when Tolbert Lanston received his first
patent for a mechanical typesetting device. Later refinements led
to the Monotype casting machine and the emergence of the Lanston
Monotype Company as one of the most renowned type supply companies
in the world. The Monotype caster was revolutionary and along with
other automated typesetting machines helped to usher in a new age
of printing technology. Typesetting had, until this time, remained
the same as Gutenberg's first hand-set movable type.
In the late 1800s, Tolbert Lanston licensed his technology to an
English sister company and became a major international force. Lanston
grew rapidly with America's pre-eminent type designer, Frederic
Goudy, holding the position of art director from 1920-1947. The
Philadelphia-based Lanston Monotype eventually parted ways with
its English counterpart. English Monotype became simply known as
Monotype from that time forth. Lanston was acquired by American
Type Founders in 1969. After a series of other owners, the company
found its way to master printer Gerald Giampa, who moved it to Prince
Edward Island in 1988. During its time of transition, Lanston continued
supplying the American market for monotype hot metal type needs
until January 21, 2000, when the majority of Lanston's machinery
and historical records were tragically destroyed by a tidal wave.
Giampa was one of the earliest developers of PostScript fonts. After
the loss, he focused on digitization to an even greater extent.
Under his stewardship, Lanston's classic faces were digitized in
a style that was true to the sources, which are the brass and lead
patterns from which the metal type was made. The past few years
have seen Giampa and Lanston travel from Canada to Finland, and
back again. In late 2004, Lanston has completed another journey
back to the United States to come under the care of a new steward:
P22 type foundry. Giampa is answering the call of the sea. He has
traded his type founder's hat for that of a ship's captain to sail
the northern Pacific coast. During his shore leaves, Giampa continues
to act as typographic consultant to Lanston-P22.
